Agnes Bugera Gallery, Inc.

Canadian Contemporary & Modern Art

LINDA NARDELLI

Artist Statement

As an artist of the 21st century, I am influenced by modern shapes and also compelled by its history. I respond to the contrast that exists between man-made structures and organic elements and draw on the place in which they unite. In my work I intend to balance these opposite qualities to form a peaceful interplay. I believe that this is a sensitive approach to art that sustains intuition, which relates to emotions and spiritual connection.

My work is an energy-based form of art that moves outside linear patterns of thought to perceive reality with unpredictable curiosity. When I resist the urge to observe my art with conscious limitations, I play in the field of consciousness in which art embodies and transforms. In this way, the art creates itself out of the ranges of my control, and each individual work of art becomes its own unique personality. Shaped by this mystery, my art originates from a profound inner realm out into the world. It becomes an Alter of spirituality and a place for healing.

Language Of Art and Materials

In my work I fabricate a language of symbols that is formed by scratched markings in expansive interlocking patterns. These represent the dialogue between external stimulus and internal reflections. There is no pre-determined causal approach; instead the symbols invoke the playfulness of imagination, unconsciously appropriated from ancient cultures.

My paintings are shaped in stages, whereupon I build layers of texture, which are inspired by earth elements: the composing of earth's surfaces, rock textures, weathering and crackling. To develop these textures and shapes I layer a hard plaster medium with stone powder. A tiered depth is achieved with translucent acrylic washes and overlays of oil glazes. This creates a rich patina that draws the viewer into its unpredictable beauty. The layered surface becomes random and unique, developing the character and individual identity of each work of art.